Some of those attracted to ‘complexity-thinking’ appeared to understand
it as a new ontology involving moral recognition of the falsehood of
ambitions and pretences of prediction and control, thus perhaps as a non-
hegemonist epistemology (de Sousa Santos, 2003; Haraway, 1997; Sarewitz
et al., 2000). Yet despite these insights, in conventional discourse-practices
control (with tacit externalization) remains a persistent expectation, as a
moral and intellectual given. According to this latter ontology, complexity
is simply a complex object per se, but one ultimately amenable to control.
Even if lack of control (‘uncertainty’) has to be admitted, it is only as a
temporary, strictly limited problem (which deletes ignorance or lack of
control under the misleading label of acknowledged ‘uncertainty’). This of
course suggests the question: what is being bracketed – and what is being
affirmed – when the chronic postponement of ‘lack of control’ (‘complexity’)
is performed in discursive practices? What imagined public context is being
implicitly cultivated?
By the time complexity comes into focus, it will always have been framed,
translated and domesti-
cated somehow, like everything else. So a question should be not simply
how to expose and critique these simplifications and reductions, but, better,
how to render them more poetic, modest and human? However, this should
not licence any degree or form of reductionism as the common discourse
that might be able to claim more informal human richness and representa-
tive legitimacy. So how complex can such formal public discourses be, even
while they accommodate practical moral recognition of the strictly unspeak-
able, that is, contingencies and unknowns? The more that neoliberal
commercial cultural pressures pervade science, the less room there seems
likely to be for these more modest, complex sensibilities.
Wynne, B. (2005) Theory Culture and Society
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