Butler, who locates the construction of the gendered, sexed, desiring subject within what she calls, borrowing from Foucault’s Discipline and Punish, "regulative discourses." These, also called "frameworks of intelligibility" or "disciplinary regimes," decide in advance what possibilities of sex, gender, and sexuality are socially permitted to appear as coherent or "natural."[citation needed] Regulative discourse includes within it disciplinary techniques which, by coercing subjects to perform specific stylized actions, maintain the appearance in those subjects of the "core" gender, sex and sexuality the discourse itself produces.[11]
Butler explicitly challenges biological accounts of binary sex, reconceiving the sexed body as itself culturally constructed by regulative discourse.[12
The supposed obviousness of sex as a natural biological fact attests to how deeply its production in discourse is concealed.
The concept of gender performativity is at the core of Butler's work. It extends beyond the doing of gender and can be understood as a full-fledged theory of subjectivity. Indeed, if her most recent books have shifted focus away from gender, they still treat performativity as theoretically central.[citation needed]
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Relate to creative performance, random expresive flow intuitive<>knowledge expertise etc
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